![]() The excerpt begins and ends on C, and C holds a prominent position at the end of m. Simply looking at the melody, we can see that C occupies a more stable position than the pitch class F. It is likely that you heard the pitch C as having greater stability. Listen to the melody again and consider which pitch, C or F, sounds more stable-in other words, which pitch sounds more restful, more like a musical destination and less like an attraction along the way. To determine the key of this melody-C major or F major-we need to decide which note sounds most like the tonic. But all of these pitches also belong to the F major scale (F, G, A, B b, C, D, and E). This is a very good indication that this melody is in the key of C major. ![]() All of these pitches belong to the C major scale (C, D, E, F, G, A, and B). (Please see how our terms and conditions apply to our exclusive Your Accompanist free-to-download resources).As you can see, this melody uses the pitches C, D, E, F, G, and A. If you enjoy using these scales, please tell us To download, right-click on 'Download MP3' and select 'Save File As.', 'Save Link As.' or similar. Practice singing them smoothly (legato) or make each note detached (staccato). Take fewer breaths as your control increases, until you can do the whole exercise in one breath. Many people like to use vowel sounds on their own or single syllables like lah, loo, maw, me, (give pew a try!).īreathe comfortably to begin with - and take a breath wherever you have to. There is no hard and fast rule about how to use them. They will help you to sing in tune until you feel confident enough to sing your scales on your own. Michael has created each one individually with its own harmonisation so that you can have a context for singing in ![]() Here are some scales which we hope will help you practice. Singing scales can be dull and quite difficult without an accompanist. ![]()
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